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Posts in Press
Bridge Time, Essay by Carolyn L. Kane

“These days no one has time to wait. Spare seconds, minutes, let alone half-hours and 45-minute sessions have become increasingly expensive in our high-speed, high-resolution, pay-per-download Wi-Fi culture. Everything must be NOW or it risks being at all. At least this is the ideology ushered in through e-commerce, mass media, and corporate capital.

But bridge time does exist. This is the in-between time that stitches together those almost imperceptible instants and forgotten thresholds of passing, segues, and crossovers. In the human world, bridge time is walking across the office, crossing the street, or waiting for someone to answer your call. In the world of computing, bridge time involves downloading, processing, saving, storing, encoding and decoding, transmission, and mass dissemination. In fact, there is a significantly grotesque amount of bridge time in the world of “high-speed” computation. Hi-tech industry may not want us to take much notice of the ubiquity of these in-between states, but they are there, and they are also the key to developing a richer understanding of ourselves and the culture we live in.”

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The Monocle Arts Review

“Robert Bound: Tell us about Michael Genovese’s pieces. This one I feel in doing some preparatory note taking, I did need to be talked through it. Maybe you can fill me in.

Francesca Gavin: Genovese is great, I’ve been a fan of him for a long time. He is originally from Chicago and now he lives and works in Los Angeles. This show is an interpretation of the play on the history of abstraction and also touches in with the idea of how we use our phones. What he did is he looked up different words on his on phone, let’s take the word “guilt” and before things turn over and you’re using google image search you’re presented with these colored, cubic shapes and he’s translated that into these very finely made paintings. So, its very much about a translation of technology from one medium to another, but also at the same time, how do you reinvent our relationship to the abstract in a way that’s contemporary and interesting and has meaning, and I think he does it really well. The format of the paintings echoes the same kind of ratio of the actual format of a phone screen, so very much like, narrow and tall. Michael Genovese’s work at the moment is touching in on this heritage of Josef Albers or Ad Reinhardt, and this history from the 1960’s that’s being given new meaning in a contemporary context.”


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ArtReview

“When the Dallas Museum of Art installs its Piet Mondrian collection, the result is illuminating. The museum has enough work, made over a long enough period of time, to allow one into the artist’s head, to see his particular form of pictorial reduction. In the world of popular Mondrian (in which his work is found on coffee cups, cupcakes and Yves Saint Laurent dresses), it is easy to forget the moody plein-air roots of the artist’s blocks of color and black lines. Mondrian painted liminal moments, when the fading sun threw dark shadows and stark contrasts across a row of trees. Analysing moments of transition or in-between spaces was how Mondrian attempted to show the structure of vision.”

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